Showing posts with label bright. Show all posts
Showing posts with label bright. Show all posts

Monday, 21 April 2014

Elesym VI - XI.




These are kind of a series within a series. They are clearly unfinished and all still works in progress. God forbid if I called them finished, I would be told what is wrong with them straight away! I am still working with using shapes from the elephant skull and transforming them into even more so unknown forms.

I hope to finish them over the summer; I should be able to. With the lack of space I have back home for working, nothing usually is achieved, but these are only little. Maybe you will see them again sometime, keep an eye out.

I also learnt that hanging things up is quite helpful...

















Sunday, 20 April 2014

Elesym V.


Not a great final picture, sorry! There is a better image in a later blog post.

This piece is very different from the previous painting. I wanted to work in an opposite way, after it was suggested that I try to work freer and oil paint was the best way to do this. I also decided that I would not use a flat colour and chose to blend coloured patches, as I have not quite managed to master that technique with oils. However, yes, I know, practice makes perfect…

The only same part of this painting is that I used the stencil tracing for the skull again. I then worked up layers of washes on it and in doing this, I realised why I used to have a small select colour palette. Too many colours makes it really complicated and you have to think more about which colours you are using for shadows etc. I still kept building them up until I was satisfied with a point to leave it at.

It is a recycled canvas, which I think I have mentioned before, from a friend. You can still see some of the previous painting that they had painted within the white space. After the washes on the skull shape, I thought it would be best to stop. To cover it I would have had to use white acrylic, which would have been better to do before starting the painting and it would have left it a flat colour. I feel this would have looked out of place. With how it is, it possibly looks like a porthole and a foggy landscape outside, then obviously the strange shape floating in the middle.

I think it appears unfinished and I am fine with that. I can still go back to it at a later point if I wish to.















Saturday, 12 October 2013

Knees III & IV.


Say hello to my back knees... Wait a minute, that sounds like a skin problem. Ok, erm... Yeah... These are the paintings I did after the more natural coloured knee paintings. I wanted to use the various colourful colours that I knew I could make. Again, I used a palette knife and it, along with the paint, has become my friend. It's so much fun! Even the clearing up is enjoyable haha! I haven't attempted painting oil paints with a brush yet and I'm not sure I want to. I like being able to be carefree with where the paint goes (unless it's on me). I expect I shall carry on with oil painting, in one way or another, I just might possibly find another 'theme' to work...









Wednesday, 20 February 2013

Next Step.

Acrylic paint on acrylic paper, A3.

I developed this next one to look more tribal, slightly statue/mask/totem-like with the addition this time, of two parallel lines at the top and again I used bright colours. With the cheap brushes I use, you tend to see their brush strokes within the paint, although some people may not like this, I happen to do so. With this effect it makes the subject that I am painting seem almost furry. I have not decided if this is important to the work yet.

Below are photos of stages to get to the final piece: